A Compilation by Claudia Hardi aka F. Sigorski

1066 & All That - the Mallory Neely House is a personal experimental workspace. The mode of associative attention are annotations, footnotes and excerpts out of reading material of the news which is relevant to us, whether it is urgent or remote. A versatile info sphere resulting from the practice of perpetually scanning the horizon for cultural references - be it an internet travelogue, a collection, a storage space.

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1066 & all that - the Mallory Neely House is a personal experimental workspace, the mode of associative attention are annotations, footnotes and excerpts out of reading material of the news which is relevant to us, whether it is urgent or remote. A versatile info sphere of annotations, of footnotes and excerpts resulting from the practice of perpetually scanning the horizon for cultural references - be it an internet travelogue, a collection, a storage space.

The wish to have our work notes available independent of our whereabouts brought us to this form of publishing preliminary notes and excerpts on a weblog. The curiosity cabinet taken as a model. If You have lost Your character in the shuffle, You have our apologies and as we leave now to plough through some more material we wish You a Bon Voyage. F. Sigorski.

claudiahardi@yahoo.com

"Space Calculated in Seconds" "The Philips Pavilion, Le Corbusier, Edgard Varese" By Mark Treib;1996; Published by Princeton University Press.

"1066 And All That" "The history book to end all history books" By W.C.Sellar & R.J.Yeatman; 1930; Published by Methuen & Co Ltd 1999.

"In the beginning there was one problem, books, and one solution, shelves. (Storage and Retrieval, Seattle Public Library Editorial Design, Bruce Mau Studio 2000)"

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Spinster Blog

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Arie Altena's Blog

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Wednesday, August 04, 2004

Strange Days

It was the year of the comet, the summer of the slasher movie. Something amazing would happen soon, everyone was certain of it. Men who should've had labels attached explaining their circumstances stood in the dark by the banks of rivers imitating the calls of the night owl. Excerpt of Jim Cumming's "Strange Days".