A Compilation by Claudia Hardi aka F. Sigorski

1066 & All That - the Mallory Neely House is a personal experimental workspace. The mode of associative attention are annotations, footnotes and excerpts out of reading material of the news which is relevant to us, whether it is urgent or remote. A versatile info sphere resulting from the practice of perpetually scanning the horizon for cultural references - be it an internet travelogue, a collection, a storage space.

Thursday, January 27, 2005

Predatory Information Sequencies

Tuesday, 21.6.2005, 8 p.m. Kuenstlerhaus Buechsenhausen, Innsbruck / Austria

"The process of cooperative research as travelling into fact & fiction and the multitudes of distortions that happen in transference and narration. We leave traces, collect material and refabricate content into our own spatial scriptures. A productive liaison, constellations, haunted houses, odd protagonists, weird skills, awesome activities, short circuits, theories, collections of images, how to deal with dead bodies, swedish suicide metal, mazes, to overlook something
completely, panoramas and plagiarisms, night frost, the ghost of fuji, ad: who is johnny?"

Judith Fischer / Claudia Hardi will present their joint project: spatial scripting' games new players - sequence 1: the shining>. A production they worked on during their residence at the kunstlerhaus buechsenhausen (April - June 2005). The shared interest in new phenomena and strategies for the acquisition and processing of knowledge is the basis for this cooperation, while the professional background of both artists is diverse. - A research whith an uncertain goal. One might describe the output as transitory, fragmented and yet paradoxically , it can be considered as model. uses the film by stanley kubrick as concrete reference and point of departure for further research. The attention moves on complex paths of audio-visual perception of language and images, working its way through media sources such as books, films, videos, websites. This field research visualizes and manifests itself in a 'spatial scripting". Sequences, strings and chains of signs are ordered mazily, sculptural elements interact with screenstills / screenshots and a fragile wooden dwelling - a shell, where expeditions are trapped accoustically. The visitors are invited to sojourn in this zone, bringing with them their own horizons of experience.

Kuenstlerhaus , Buchsenhausen, Weiherburggasse 13, 126020 Innsbruck, phone +43 512 278627-10 fax +43 512 278627-11, office@buchsenhausen.at http://buchsenhausen.at

Changed - during a blog clean up, 27th April 2006

Mail Received On The Word Foto

Fremdwoerter mit den Buchstabengruppen ph, th, rrh und gh, die neu zu f, t,rr und g werden muessen bzw. duerfen (Photo, Foto; Phantasie, Fantasie;Thunfisch neu Tunfisch; Panther neu Panter; Katarrh, Katarr; Haemorrhoide,Haemorride; Ghetto, Getto; Spaghetti, Spagetti), werden von uns nur selektiv eingedeutscht: Foto (aber Photographie) oder Telefon (aber Mikrophon). Wir bleiben auch bei Thunfisch und Panther und wollen weiterhin zwischen Phantasie (Einbildungskraft, Vorstellungskraft) und Fantasie (in der Musik ein freies, improvisationsaehnliches Instrumentalstueck) unterscheiden.

Monday, January 10, 2005

The Awmt Database

the as we may think database is first of all an exploratory mode of research on the correlation between popular culture, computer science, network communities, the history of the internet, the comic and game culture and the cultural aspects of new communication technology. Secondly: the as we may think database is an internet & computer science culture documentation-capture project and cataloging system. Many references have been collected, some of them will find their way onto this blog.