A Compilation by Claudia Hardi aka F. Sigorski

1066 & All That - the Mallory Neely House is a personal experimental workspace. The mode of associative attention are annotations, footnotes and excerpts out of reading material of the news which is relevant to us, whether it is urgent or remote. A versatile info sphere resulting from the practice of perpetually scanning the horizon for cultural references - be it an internet travelogue, a collection, a storage space.

Wednesday, February 28, 2007

VUE - The Violent Unknown Event


Filmstill "The Falls"
Originally uploaded by F. Sigorski.

Absurd, uterly insane but smart - "The Falls". Greenaway on "The Falls", 1980: "The Falls" is the magnum opus of this time. Now recreated in essence with all the new technologies of the 21st century in The Tulse Luper Suitcases - a project of peripatetic, picaresque encyclopaedia. I had always vowed to remake this essay every ten years - a goodly time to update a directory. Indeed The Falls did find its way into a book published in 1993 - twelve years after, and now it's 2003 and time to make a remake. The original of The Falls was finally finished in 1980 and on 16mm with magnetic tape soundtrack. It is over three hours long and is divided into 92 end-to-end biographies of people who in some way have been apocalyptically associated with the VUE, the Violent Unknown Event, a phenomenon connected with birds - their flying or non-flying characteristics, their voice and song, their individual species habits, their man-manufactured mythology. Every civilisation in geography and history has had ambitions to fly. Here with uncertainties, ambiguities, vested interest informations and dis-informations is a compendium of human tragedies and celebrations, accompanied by the notion of birds. Audubon and Hitchcock are included, and so are all the familiars of the personal mythology of Tulse Luper, polymath, polyglot and sometime tiresome autodidact who had a mocking theory about almost everything. A history of the world should be a history of every one of its inhabitants, but that, like the Borgesian same-scale-as-the-world map, absurdly mocks human effort, so a section of humanity has to stand in for the mass, and in this case, all those people in the VUE Directory whose surnames appropriately begin with the letters FALL - will have to suffice. The Fall of Man, but more significantly the great Fall of Angels that introduced discord into the world - are, of course, referenced. Biographies of the VUE victims can be read on theGreenaway Bfi Site.

Absurdity Of Sophisticated Civilisations Organization By The Alphabetical System


Filmstill "H is for House"
Originally uploaded by F. Sigorski.

Still an update of januaries reading and watching movies. Project watching all the early films of Peter Greenaway. I have to say i like this early films but not Greenaways later films. Among those early films is "H is for House", made in 1976. Greenaway on "H is for House", 1976: "H is for House" is a list of words and pictures that are initialled by the letter H, pointing out the familiar absurdity of sophisticated civilisations that organise their objects, facts and ideas by the arbitrariness of the alphabet. As children, we are instructed to note and remember the alphabetical system carefully, but as adults we no longer regard it as unusual that happiness, hysterectomy, Hampstead, His Holiness, Hitler, Heaven and Hell are gathered up together in homage to their initials. Another film is: "H is for House", 1976. "H is for House" is a list of words and pictures that are initialled by the letter H, pointing out the familiar absurdity of sophisticated civilisations that organise their objects, facts and ideas by the arbitrariness of the alphabet. As children, we are instructed to note and remember the alphabetical system carefully, but as adults we no longer regard it as unusual that happiness, hysterectomy, Hampstead, His Holiness, Hitler, Heaven and Hell are gathered up together in homage to their initials.

Underground

Underground; 1976; also a documentary by Emile de Antonio i can remember having seen last year on television. Also an interesting political documentary. Here a short text copied from Sense of Cinema."The task of making a film about a collective of underground radicals is seemingly impossible. Yet de Antonio, in collaboration with Mary Lampson and noted cinematographer Haskell Wexler, devised a way to tell the story of the Weather Underground, the most wanted countercultural insurgents in the country. The filmmakers conducted interviews with the Weatherpeople with their backs facing the camera in order to protect their respective identities. Combining these interviews with archival footage of revolutionary figures from around the world, de Antonio and his mini-collective fashioned a powerful statement of protest which provided a direct challenge to the media’s representation of this radical group. Despite efforts of the FBI to confiscate the film footage, de Antonio prevailed by invoking legal statutes designed to protect journalists from revealing sources."

Mr Hoover and I

Last Night after the late workshift in the factory I needed to feed my brain with some content as a contrast to the eight hours of rather monotonous work. I have watched "Mr Hoover and I" by Emile de Antonio a friend sent me in DVD format. An interesting political documentary film. In this documentary, avant-garde filmmaker Emile DeAntonio (1920-1989) discusses filmmaking with his friend, musician John Cage, but chiefly explores the myth and reality of the former Director of the F.B.I., J. Edgar Hoover. During his lifetime, Hoover was idolized as a paragon of decency and someone who unfailingly upheld quintessential American values. After his death, the story that was revealed was considerably darker and more complex. DeAntonio has a lot of harsh things to say about the man and the federal agency he led, and uses as examples his huge (and often silly) F.B.I. files, released under the Freedom Of Information Act. Emile de Antonio died shortly after he made this film.

Saturday, February 24, 2007

Happy Birthday, Jack Nicholson


Hunter Thompson
Originally uploaded by F. Sigorski.

"Happy Birthday, Jack Nicholson" (Pocket Penguins 70's) (Paperback) by Hunter S. Thompson; Publisher: Penguin Books Ltd (May 6, 2005); ISBN-10: 0141022434; ISBN-13: 978-0141022437. As Thompson's books are: amusing and bizarre. Thompson is often credited as the creator of "Gonzo journalism", a style of writing that blurs distinctions between fiction and nonfiction. His work and style are considered to be a major part of the New Journalism literary movement of the 1960s and 1970s, which attempted to break free from the purely objectivist style of mainstream reportage of the time. Thompson almost always wrote in the first person, while extensively using his own experiences and emotions to color "the story" he was trying to follow. His writing aimed to be humorous, colorful, and bizarre, and he often exaggerated events to be more entertaining. The term Gonzo has since been applied in kind to numerous other forms of highly subjective artistic expression. Despite his having personally described his work as "Gonzo", it fell to later observers to describe more precisely what the phrase actually meant. While Thompson's approach clearly involved injecting himself as a participant in the events of the narrative, it also involved adding invented, metaphoric elements, thus creating, for the uninitiated reader, a blurry amalgam of facts and fiction with blurry lines between one and the other. Thompson, in a 1974 Interview in "Playboy Magazine" addressed the issue himself, saying "Unlike Tom Wolfe or Gay Talese, I almost never try to reconstruct a story. They’re both much better reporters than I am, but then, I don’t think of myself as a reporter." Tom Wolfe would later describe Thompson's style as "...part journalism and part personal memoir admixed with powers of wild invention and wilder rhetoric."

Wednesday, February 21, 2007

Stallone ist Kunstfan

Nicht zuletzt wegen seiner „Rambo“-Filme und diverser Eskapaden hat US-Schauspieler Sylvester Stallone das Image eines Brutalität verherrlichenden Rüpels. Doch der 60-jährige hat auch ganz andere Seiten – wie beispielsweise ein Faible für zeitgenössische Kunst. Richtig ins Schwärmen kommt er bei Bildern des deutschen Künstlers Gerhard Richter: "Er ist der wunderbarste Maler, den wir im Moment haben“, sagte er in einem Interview mit der "Süddeutschen Zeitung". Bei aller Liebhaberei kennt seine Ehrfurcht vor den Werken berühmter Künstler allerdings auch Grenzen. Als von einem Bild Anselm Kiefers, eines ebenfalls bedeutenden deutschen Malers, aufgeklebtes Stroh herunterzufallen begann, klebte er die Halme kurzerhand wieder an.

"Ich dachte, ich werd´ verrückt“ "Ich habe dafür 1,7 Millionen Dollar bezahlt!“, erzählte Stallone. "Zu Hause denke ich: Scheisse, was liegt da unterm Bild? Stroh. Jeden Tag ein neuer Halm." Er habe den Händler angerufen und gesagt: "Der Kiefer haart." Worauf der Händler erwidert habe, dass dies seine Richtigkeit habe. Zu dem Werk gehöre, dass es durch eine Entwicklung gehe. "Ich dachte, ich werd’ verrückt. 1,7 Millionen Dollar!", so Stallone.

Weisheit der Woche

Auch ich war ein Jüngling mit lockigem Haar;

Weisheit der Woche:
Kastration ist kein Allheilmittel.

(News from Schaffhausen / Factory Time)

Aufklaerung

Heute einen naseweisen Bengel gesehen, der sich zu den Fleissigen zaehlt, die man vor den Faulen schuetzen muesse. Dann - Aufklaerung: ich erfahre endlich mal, was Sache ist auf der Welt. Spaeter: Mord im Kaufhaus. (News from Schaffhausen / Factory Time)

Today

Ha!

(News from Schaffhausen / Factory Time)

Zusammenhangslose Saetze

Epilepsie & Autismus; Heute Abend: Weltchronik; "Mentale Privatsphäre"; Auf dem 11. Berliner Kolloquium werden Hirnforscher aus Europa und den USA die neuen Methoden des "Gedankenlesens" aus Gehirnbildern vorstellen. Das Kolloquium will ein Forum für die Diskussion der Zukunftsperspektiven solcher Methoden bieten. Im Zentrum wird insbesondere die ethische Frage stehen, inwieweit solche Techniken mit der "mentalen Privatsphäre" vereinbar sind; Ich bin so müde, so wahnsinnig müde; Man ist leicht geneigt, besonders in jungen Jahren, das Tempo, in dem Entscheidungen kommen, sehr zu überschätzen. (Franz Kafka, Eine kleine Frau); Die Abfahrt des Ersatzverkehrs erfolgt gehwegseitig; Ich verstehe, dass vieles unvorstellbar ist und begnüge mich damit, es mir nicht vorzustellen; Es ist ja fast schon so weit gekommen, daß man erleichtert ist, wenn ein paar Seiten lang nichts zu zitieren ist; aus: Was Weiss Ich Twoday Net (News from Schaffhausen / Factory Time)

Monday, February 19, 2007

Bits & Pieces From the Net Today

FUCKUP (First Universal Cybernetic-Kinetic Ultra-Micro Programmer) ist der fiktive Computer von Captain Hagbard Celine. FUCKUP, der sich auf dem goldenen U-Boot Leif Erikson befindet, ermittelt ständig, mittels eines virtuellen I Ging, die Wahrscheinlichkeit für den Ausbruch des 3. Weltkriegs. (Wikipedia) From Fuckup Twoday Net. Twoday Net seems to be a new blogging device. (News from Schaffhausen / Factory Time)

Google Gesellschaft - January Reading


Google Gesellschaft
Originally uploaded by F. Sigorski.

A book I was rather annoyed by. With the exception of some articles - the book made the impression of a compilation without any concept. A random pile of boring and dry "student" papers. Is it a book published just for the hype? Who knows. I just simply don't recommend it.

Virginia Woolf - January Reading


Virginia Woolf
Originally uploaded by F. Sigorski.

A book I enjoyed to read. Here some facts about Virginia Woolf edited together from online literature. Virginia Woolf (1882-1941), English author, feminist, essayist, publisher, and critic wrote A Room of One’s Own (1929). Now regarded as a classic feminist work, Woolf based her extended essay A Room on lectures she had given at women’s colleges at Cambridge University. Using such female authors as Jane Austen and Emily and Charlotte Bronte, she examines women and their struggles as artists, their position in literary history and need for independence. She also invents a female counterpart of William Shakespeare, a sister named Judith to at times sarcastically get her point across. Woolf proved to be an innovative and influential 20th Century author. In some of her novels she moves away from the use of plot and structure to employ stream-of-consciousness to emphasise the psychological aspects of her characters. Themes in her works include gender relations, class hierarchy and the consequences of war. Woolf was among the founders of the Modernist movement which also includes T. S. Eliot, Ezra Pound, James Joyce, and Gertrude Stein.

The effects of bi-polar disorder at times caused Woolf protracted periods of convalescence, withdrawing from her busy social life, distressed that she could not focus long enough to read or write. She spent times in nursing homes for ‘rest cures’; frankly referred to herself as ‘mad’; said she heard voices and had visions. “My own brain is to me the most unaccountable of machinery —always buzzing, humming, soaring roaring diving, and then buried in mud. And why? What’s this passion for?” (from a letter dated 28 Dec. 1932). The subject of suicide enters her stories and essays at times and she disagreed with the perception that it is an act of cowardice and sin. When Virginia was not depressed she worked intensely for long hours at a time. She was vivacious, witty and ebullient company and a member of the Bloomsbury Group or ‘Bloomsbury’ which had been started by her brother Thoby and his friends from Cambridge. It quickly grew to encompass many of London’s literary circle, who gathered to discuss art, literature, and politics. During her life and since her death she has been the subject of much debate and discussion surrounding the sexual abuse she suffered at the hands of her half-brother, her mental health issues and sexual orientation. Also, her pacifist political views in line with Bloomsbury caused controversy. From Three Guineas (1931);

Virginia married left-wing political journalist, author and editor Leonard Woolf (1880-1969) on 10 August 1912. In 1914 when World War I broke out they were living in Richmond and Woolf was working on her first novel The Voyage Out (1915). Leonard and Virginia would themselves get into the publishing business, together founding the Hogarth Press in 1917. Works by T. S. Eliot and Katherine Mansfield would be among their many publications including Virginia’s. Night and Day (1919) was followed by her short story collection Monday or Tuesday (1921) and essays in The Common Reader (1925). Jacob’s Room (1922) was followed by Mrs. Dalloway (1925) which inspired a film “The Hours” in 2002. To The Lighthouse (1927) was followed by Orlando: A Biography (1928). With the outbreak of WWII the Woolfs were living at their country retreat, ‘Monk’s House’ near the village of Rodmell in Lewes, Sussex, which is now preserved by the National Trust. In 1940 they received word that their London home had been destroyed. Fear of a German invasion loomed and Leonard’s Jewish heritage provoked the couple to make a suicide pact if the possibility of falling into German hands arose. Leonard as usual was ever vigilant to the onset of the next major depressive episode in his wife; she would get migraine headaches and lay sleepless at night. However, he and her doctor, who had seen her the day before, would never intuit that her next one was to be her last. Virginia Woolf died on 28 March 1941 when she drowned herself in the River Ouse near their home in Sussex. After her death, Leonard set to the task of editing her vast collection of correspondence, journals, and unpublished works and also wrote an autobiography. Posthumous publications include; The Death of the Moth and Other Essays (1942), A Haunted House and Other Short Stories (1944), and The Moment and Other Essays (1948). Virginia’s nephew, the late Professor Quentin Bell (1910-1996) wrote the award winning Virginia Woolf: A biography (2 vols, London: Hogarth Press, 1972).

G.A.S. Project Collage


G.A.S. Project Collage
Originally uploaded by F. Sigorski.

Started to make this kind of collages. Some time spent away from the computer. Much fun to do. All the visual bits in the collage are visual icons and main entries from the G.A.S. database.

Sunday, February 18, 2007

Sleepless Nights

Sleepless nights – (Weekend Compilation). Sleepless nights. The usual habit in such a case is visiting music download checking for new sound stuff. This time i have finally found some pieces i really like. This weekend compilation is: DjNoClue from New Jersey, United States Genre: Electronic & Dance, Electro Dub. Favorite: "WC West Coast Swing". Then: Mixtress "Future funk Squad Remix" Dj Baby Anne. "Abxxx" and "Tabletennis Discotheque" by Master Master. "Dawa Zangpo", by Sub Dub. "Elektroteck" by Urban Kulture and "True" by Son of the Electric Ghost.

G.A.S. German Press Text

(German Press Text culled together in January). "G.A.S." ist eine neue Datenbank-, Dokumentationsarbeit die wie die "Awmt" Datenbank gestaltet und ausgearbeitet wurde. Eine neue Forschungsreise durch elektronische Archive die auf den kulturellen Referenzen und den Hauptprotagonisten des Comic, Sci-Fi Romans "Sewer Gas & Electric - The Public Works Trilogy" von Matt Ruff, aufbaut. "G.A.S." geht tiefer in die Geschichte der authentischen Personen auf denen die Protagonisten aufgebaut sind hinein. Gleichzeitig fuehrt die Forschungsreise durch das Sammeln von assoziativen neuen Informationen ueber die (Ge)schichten des Romans hinaus. Neue Zusammenhaenge werden gelegt. Der Roman wurde fuer das Thema "die Subversion des Stillstands" ausgewaehlt weil er einerseits uns bekannte Ideologien, Glaubensmuster, Vorstellungen gleichberechtigt wie Klichees behandelt und den Leser in ein aberwitziges Netz von Geschichten oder "Urban Tales" verknuepft. Das Buch ist gefüllt mit absurden netten Aussteigern, Mehrere Dutzend Pro- und Antagonisten wirft Ruff für seine Fiktion ins Rennen. Schillernde und eloquente Gestalten, bis hin zum Oeko Piraten Philo Dufresne, der in Gesellschaft von blauen Hamstern und seiner Crew in einem pink-gruenen U-Boot durch die Weltmeere schippert. Einem Volkswagen der vom Geist Abby Hoffmann’s besessen ist. Aber auch "Groessen" wie Abraham Lincoln, Walt Disney, J. Edgar Hoover und einige andere mehr geben sich die Hand. Wir verweilen im Jahr 2023. Eine Crew von menschlichen und androiden Stahlarbeiter arbeiten an der Konstruktion eines neuen Turms zu Babel. Dies im Auftrag von Harry Gant der damit ein Monument an "die Kraft des Menschen um zu träumen" setzen will. Waehrenddessen wird ein Wall Street Broker mit einer goldenen signierten Ausgabe von "Atlas Shrugged" zu Tode erschlagen. Harry Gants Ex Frau Joane Fine soll diesen Fall klaeren und macht sich in Begleitung von Ayn Rand auf die Suche nach dem Moerder. Die authentische Ayn Rand; Filosofin, Schriftstellerin und Objektivismus-Verfechterin; ist von den Toten auferstanden und erscheint uns in diesem Roman als in eine Sturmlampe eingeschlossenes geschwaetzigs Hologramm, das Joan Fine nur widerwillig auf ihrer Reise begleitet. Waehrend Oskar, der der Nostalgie der richtigen Pfadfinder nachhaengt, heute nur noch die "Girls" auf "City-Survival-Kursen" begleitet. Geistige Bilder: antarktische Bergseen die mit verführerischen blauen tiefen Oberflächen das Herz entzuecken. Hughes der zur Ueberzeugung gelangte, das Auftauchen von Kaenguruhs am Stadtrand yon Rapid City muesse einen "internationalen kryptozoologischen Zwischenfall" ausloesen, dessen Aufklaerung die US-Regierung Millionen von Steuergeldern kosten wuerde, was zu einer Ueberbeanspruchung der Staatskasse und damit einhergehend zu drastischen Gehaltskuerzungen in der Bundessteuerbehoerde fuehren wuerde. Der Roman bleibt der klassischen Verschwoerungstheorie des 21. Jahrhunderts treu, es ist "GAS" der Analoge Supercomputer der im Hintergrund die Apokalypse vorbereitet. Der Roman ist sehr fragmentarisch aufgebaut. Eine wirklich pausible zeitliche lineare Entwicklung fehlt. Somit verliert die Narration Anfang und Ende, der Leser geraet aus der Zeit. Eine Analogie ist die Idee eines "vollstaendigen Stillstands" die von Musikern wie Cage und Ligeti vertreten wurde. Es ist die Vorstellung, dass es einen ewigen Klang oder ein Rauschen gibt, das die eigentliche Musik ist und das nur hoerbar gemacht werden muss. Mit diesem Projekt verfolgte ich verschiedene Anordnungen sowie aesthetische Moeglichkeiten im Rahmen des Mediums Datenbank. Die Datenbank soll mittels einer Projektion innerhalb einer Black Box gezeigt und somit von den Besuchern der Ausstellung genutzt werden bzw. eine oeffentliche Form erhalten.

G.A.S. Project Last Entries


G.A.S. Project Last Entries
Originally uploaded by F. Sigorski.

The G.A.S. Database /Encyclopedia's main "universal themes" are: A Man In A High Place Alone / Awesome People / Cult / Did You See That! / Don't Worry / Drastic Measures / Footage / Jacked In / Lovely Ideas / Lovely Places / More Old Music / Morning Paper / Mutate or Die / No More Excuses / Now We Are Amused / One Hand Washes The Other / Only The Best / Overheard in the Cortex / Please Help Yourself / The Case of Nobody Is Perfect / The Morning Schedule / The Peculiar Death of Amberson Teaneck / The Pope of Reason / The Power of Positive Thinking I / The Review / The Sign of the Dollar / This is a Test / Too Busy Swimming / Tuesday Afternoon Movie / War Stories / What If. The Database / Encyclopdia is finished now - for so far – and will be published and installed for the first time (on 30 March – 27 Mai 2007) at the ACC Weimar Gallery in Germany.

Mein Privates Lexikon


Mein Privates Lexikon
Originally uploaded by F. Sigorski.

Mein Privates Lexikon: Portfolio 2007. Hand made - home printer issue. Some of them count 50 pages, some 60 pages. They are made in different formats from 21 x 22 cm to A4 to A3. The portfolio includes all projects done in the last years. As pe.: "G.A.S.", "As We May Think", "Predatory Information Sequences" etc. In one of the portfolio versions, images and project descriptions are combined with excerpts out of books and other sources, as pe.: out of the publication "Pervasive Personal Participatory" "Ubiscribe": "mystery systems: we don‘t know what they are, perhaps you do?" The portfolio ends with a qoute from John Ashbery: "the contest ends at midnight tonight but you can submit again, and again."

Maastricht Creative (Exile) Office


Little i have written and edited for this blog last year, but i was not idling around. There was simply no time left for much creative work. Mid January till February i could finally take one month off to go back to my office and finish lots, lots and lots of work.

Wednesday, February 07, 2007

Hacked

Unfortunately the server all my sites are up and running has been hacked. I hope i haven't lost too many work due to that incident.